Americana Music

Miss Tess & the Bon Ton Parade "Train Ride to Caroline"

Americana. It is a term batted around more these days, but still ill defined. It combines roots forms; country, rock 'n roll, gospel, R&B, blues, folk, and is none of these things purely, but the synthesis creates something wholly its own. It is a melting pot of music, much as American is a melting pot society. If you are new to the term Americana, it is described on the Americana Music Association's website: "Americana is music that honors and is derived from the traditions of American roots music. It is music inspired by American culture traditions which is not only represented in classic man made / roots based sounds but also through new and contemporary artists whose music is clearly inspired by these great traditions."

In some cases, it isn't even American roots, but other ones that wind up in the musical stew. Like Tex-Mex, or the French influence in Zydeco, or the Gypsy and Jewish influence of jazz included in the music of Miss Tess and The Bon Ton Parade. She and the band are New York based. When I think about it, it is a pretty amazing collection of young artists living there: Annie & the Beekeepers, The Wiyos, Yarn, and The Bowmans, just to name some. They have a new EP release called The Waltz Set coming soon, and are doing a show to celebrate that in New York on Thursday, September 30th, in the big room at Rockwood Music Hall. Interesting to have this music in one of its historical touchstones, the Lower East Side of New York. Perfect melting pot scenario.

Back in March we had the honor of Miss Tess and The Bon Ton Parade performing during Music Fog's artist showcase at Threadgill's in Austin. "Train Ride to Caroline" comes from that session.

- Jessie Scott

Train

Terri Hendrix & Lloyd Maines "Hand Me Down Blues"

I am on a blues jag again. It was one of the earliest influences for me, starting when I discovered Muddy Waters through listening to the early Rolling Stones. Since the 60's there have been times of total immersion in it. And the blues, they are coming around for me again. From hanging at Antone's in Austin, to my iPod, which is chock full. The traveling through the Delta, and then Chicago, you get to feel how the land influenced the music, and how it sprang from the troubles of the day. It still speaks to me. Love troubles, people troubles, money troubles, work troubles. And it feels better, just singing along. You get the same kind of release as chanting Buddhist mantras. Accomplishes peace. Gives you insight.

Photo Credit: Mary BrutonEnter Terri Hendrix. She is the consummate songwriter, with lots to say, and the gift with which to deliver it. Her new CD is called Cry Till You Laugh. If that ain't the philosophy of why people sing the blues, I don't know what is. This new CD is just out a month and there is an accompanying book of the same title. It was meant to be a jazz album, but it kind of had a mind of its own. Terri is a classically trained vocalist, multi-instrumentalist, playing guitar, mandolin and harmonica and she's a very imaginative songwriter. She sings with abandon, whether scat, folk, blues, or Gothic Americana. She calls the new album's influences "a yin and yang of life."

We were so glad to catch up with Terri at WoodyFest, and she brought the wonderful Lloyd Maines with her. Together they make magic. "Hand Me Down Blues" is one of those 'lessons about life' songs. Every day we wake, we can be happy or we can wallow in the past. Choose wisely, you only go around once.

- Jessie Scott

Hand

David Olney & Sergio Webb "Covington Girl"

I have been on a tear through the countryside. You just don't know where it will take you! Sometime last weekend, I jumped a plane and flew out to see the subdudes at Rancho Nicasio, just north of San Francisco, which is the perfect venue to see this most engaging band. The boughs were swaying in the breeze, the girls were swinging in perpetual motion - all arms and groove and attitude, and then the guys even got down by getting up out of their chairs to dance. By the end of the show, everyone was on their feet, it was like being at a revival. There was rapture on people's faces. Kids were standing on tables and their dad's shoulders to see what was causing the vibe to levitate to the skies. Pure energy. Music like this is love. There is a big event that shines a light on Americana music coming up out here, too; the Hardly Strictly Bluegrass Festival, a free concert, October 1, 2 & 3 in Golden Gate Park, San Francisco. It is celebrating the 10th anniversary, and the line-up was just announced a couple of weeks ago. I am happy to report that the subdudes are on the list.

Photo Credit: Stacie HuckebaLet me add that it is quite the honor to be asked to play at this prestigious festival. David Olney and Sergio Webb will be there this year too! David's music is so cinematic. Rich with detail and intensity. His songs have been recorded by Emmylou Harris, Linda Ronstadt, Del McCoury, Lonnie Brooks, James King, Slaid Cleaves, Dale Ann Bradley, Tom Rozum, Ann Rabson, Kieran Kane/Kevin Welch/Fats Kaplin, Tim O’Brien and others. He has released more than 20 albums over four decades, including six live recordings. David's most recent CD, Dutchman’s Curve was released in April 2010. In addition, he is an author, with a short story published in “Amplified.” And David has become synonymous with Classic Poetry as his performances stop time. The train robbery song "Covington Girl" comes from the new CD; here delivered with the weaving in of Sergio Webb's engaging guitar. The song first appeared on Sergio's 2009 CD Bolivar Blues. We filmed this at Folk Alliance in Memphis this past February, aboard the Music Fog bus.

- Jessie Scott

Covington  David Olney - Covington Girl

Covington  Sergio Webb - Covington Girl