Peter Case "Thirty Days in the Workhouse"

Hitchhiking sounds so quaint when you think about it now, but back in the middle of the last century it was a bohemian, somewhat acceptable, but inherently dangerous mode of transportation. I took the gamble back in those days. There was a freedom to it, it was a dance between hiker and hikee. First thing, you assessed the driver and the situation before you even got in the car. Sometimes it was very companionable, sometimes you prayed the whole way to your destination and couldn’t wait to get out of the car. As a tomboy hippie chick, I stuck my thumb out a lot in the late 60s. I crisscrossed the state of Ohio, which is where I went to college, and then I hitchhiked up and down the California coast. You took your life in your hands each time. But there was the sense of being alive that was woven into the fabric of it, too. And the discovery; of new places, of people, of music. We joke about the vortex at Music Fog---this could have been the start of it, “I’ve come to look for America,” as Simon & Garfunkel sang.

Peter Case was a hitchhiker, too. His latest blog post is an in-depth reading about a hitchhiking journey he took, culminating by seeing Lightnin’ Hopkins at a gig in Boston. It is compelling, and actually more like reading a journal than a blog. It has such delicious detail and so captures the feel of those days. I love reading Peter’s stuff. I think it makes his music all the more relatable for where he’s been, where he’s coming from. That era, kids grew up with a cocoon around us that felt like an unreality. We needed to find substance somewhere. Day to day was boring and predictable. There was no magic to it, yet we knew that there was something out there, and we chased it. It is not unlike hitching a ride today on the internets, which can be just as dangerous, and winding up “somewhere else.” Read Peter Case here. And watch him here, where you're at, as we recorded him in September at Americana Fest in Nashville.

- Jessie Scott

Thirty Days In The Workhouse - Wig!

Uncle Lucius "No Time Flat"

It is one week out from our Music Fog Marathon, presented by Neustar. Yes, we welcome a brand new sponsor to this event and into the Music Fog family. We are so happy to be working with them. They’re the guys who make it possible for you to keep your own phone number when you change carriers, like from AT&T to Verizon, or from Sprint to T-Mobile. They also are the folks who are making digital downloads of movies work through something called UltraViolet (think one giant leap from Blu-ray). And they pretty much make our phones and the Internet work, but for the most part no-one’s ever heard of them because they keep a pretty low profile. We’re glad they chose to raise it a little bit by helping us out during SXSW® Music week.

It is so hard to believe another episode is just about upon us. I am not ready. What’s more, the MF crew in DC is scrambling to make the necessary prep to head to Texas again. Aaron, Beans and Chris are traveling in the BBC (Big Blue Crew), which we suspect knows the way all by itself by now. Ah, but it would be great to have a smart car that you could set to take you to your destination and just go. One that would just deliver you like a magic carpet. You could sleep, eat, have animated discussions, hell, you could even produce videos during the trip. I like that! Oh yeah, and can we make it a hover craft? A girl can dream after all. At the end of the day, it is all about using the time wisely. All I know is that everything seems to be speeding by, passing quickly as our music marathon will be here, and then we will be done and the guys gone in the blink of an eye. Uncle Lucius, who we will be catching up with again next week, comments in song. From our Music Fog Steamboat sessions in January at The MusicFest, we bring you another unreleased song, “No Time Flat.”

- Jessie Scott

Uncle Lucius

Jo-El Sonnier "Tear Stained Letter"

I needed to get a Mardi Gras fix, so I set out on I-10 eastbound, and hit the Isle of Capri Casino in Lake Charles, Louisiana this past Saturday night. Jo-El Sonnier and The Louisiana Dream Team were playing as part of their Mardi Gras Madness celebration. I drove for five hours, crossing the border of Texas, passing towns like Port Arthur, Beaumont, and then Vidor, which has a billboard pronouncing it was “Where The Music Began.” Evidently, they have had an inordinate amount of nationally known musicians for a town that size.

When I got to Lake Charles, I walked through the lavender doors of the casino into a neon world, with the dinging of the machines with that faintly metallic hum that all betting establishments have. Mardi Gras beads were in profusion, some of them were flashing like the pagers you get when on line at your favorite restaurant. (They made me hungry...Pavlov’s Dog at work?) Mardi Gras means gaiety is everywhere. Tomorrow comes Lent. What are you giving up? Heavens, I could give up just about everything but not music, not ever.

Jo-El Sonnier, The Ragin' Cajun, is a revelation, his music spans the flavors from Cajun to Zydeco, to traditional country, to well-chosen and sometimes unexpected covers. It is all soulful stuff, and his band smokes. He has a brand new album out called Where’s That Music Comin’ From? I was looking for video on Jo-El, and came upon something from a very eclectic TV show from way back when. Night Music only lasted for two seasons, and was hosted by David Sanborn. It amassed an amazingly diverse list of virtuosos artists creating a musically bold show.

Here is Jo-El with Richard Thompson and David Sanborn doing “Tear Stained Letter.”

- Jessie Scott

PS: I was on the phone talking to someone during my drive, who said that there were tornadoes in Louisiana, and to be careful. Had I gone further east, I would have driven through Rayne, LA, where they touched down. Our hearts go out to them.

Tear-Stained Letter - Cookin' Cajun