JD Souther "Go Ahead And Rain"

Last week in New Orleans, I ran into the magnificent Ruby James and arranged a visit to the Music Box with her the next afternoon. Interesting place - living breathing art on a lot that formerly had a house on it which imploded in the late 90s. The material, brick, stone, wood and such, was repurposed to construct the mini buildings. Each building makes sound, and is a musical instrument, defying logic or expectation. Street Artist, Swoon is the impetus behind this new project which brings a whole new meaning to 'touching music.' The Music Box: A Shantytown Sound Laboratory is a remarkable offering. And trotting through the Bywater neighborhood, seeing how many artist are now camping out there, makes a statement about reclaiming communities and about planting seeds that will grow. The artists come first, don’t they? You have to see these pictures! This space has had three major performances where musicians have gathered to "play" the structural instruments. The final performance at the Music Box takes place on December 10, 2011. Also, it is open to the public on Friday and Saturday afternoons from 12-5, at 1027 Piety Street, New Orleans. I recommend a visit if you are in The Big Easy.

I don’t care what the artist crafts his work out of; I just so appreciate what that is. Whether it has physical manifestation, or is word craft and burns deep in one’s brain. Today we bring you a master wordsmith. JD Souther put a new record out earlier this year, stripping things down to the core. It is called Natural History.  It includes a few deep tunes from his rich catalog, one brand new one, and mega hits that are burned into your synapses like “You’re Only Lonely,” “Faithless Love,” “The Best of My Love,” “The Sad Café,” and “New Kid in Town.” JD Souther will be on WXPN’s World Café stage this Friday at noon (eastern) for Free At Noon, listen on line from anywhere. “Go Ahead And Rain,” was originally found on the 1984 Home At Dawn album. There is a period piece video here: ours was filmed in October during the Fall Music Fog Marathon at Marathon Recorders in Nashville.

-Jessie Scott

Go Ahead and Rain - Natural History

This Is Indian Land: A Songwriter's Journey

Today we welcome a contribution from Josh Crutchmer, whose day gig is for the Minneapolis Star Tribune. You might recall that a year ago, he wrote a piece for Music Fog about the last Cross Canadian Ragweed show. For this entry, Josh has interviewed the songwriters on the new Cody Canada & The Departed album, This Is Indian Land. Josh puts comments from the songwriter next to Cody Canada’s comments about each song.

An editor's note, Cody & Seth's version of one of the songs from the album, is included on our first ever compilation album of our own unique recordings, Who's First? Music Fog Sessions Vol. 1Here is the video of that, filmed back in January at MusicFest in Steamboat Springs

-Jessie Scott

This is Indian Land: A Songwriter’s Journey

The people behind the music weigh in on Cody Canada and The Departed’s first album

By Josh Crutchmer

Cody Canada and The Departed have been together as a band since December 2010. The five-piece features four members from Oklahoma, and one from Texas, and their first album is a tribute to a cross section of the state’s music. This is Indian Land centers around the Red Dirt scene which sprung up around Stillwater, Okla., in the 1970s and has been a constant since.

The 16 songs (15 on the CD, a bonus track on iTunes) branch out from Red Dirt like spokes on a wheel, touching on the Tulsa Sound, country, rock and folk. It often reflects “The Farm,” a patch of land near Stillwater where Red Dirt artists used to live, write and play music around campfires and oak trees.

What follows is a journey through the album’s songwriting. Half is from the perspective of Cody Canada, Departed guitar player and vocalist and former front man for Cross Canadian Ragweed. He’s joined in the band by Jeremy Plato (bass and vocals), Seth James (guitar and vocals), Steve Littleton (keys) and David Bowen (drums). Of the five, only James — who is from Texas — does not hail, musically, from the state.

The rest comes from the songwriters, artists, family members or Oklahoma music experts the album was written to honor.

The V-Roys "Goodnight Loser"

From 1994 to 1999 The V-Roys, the seminal roots rock band from Knoxville barnstormed the south, ahead of the Americana movement that was shortly to follow. The V-Roys started life as the Viceroys, but had to shorten the name after threat of a lawsuit from a Jamaican band with that name. Their first album, Just Add Ice is a reference to the letters removed. They subsequently put out other somewhat tersely titled offerings. At the millennium’s end, the band broke up, and we have followed Scott Miller & The Commonwealth, and Mic Harrison & the High Score on their journeys for the last decade or so. When word came about release of the first-ever compilation from The V-Roys, I was stoked. You’ll find 18 tracks on Sooner or Later, with thirteen previously released and five unreleased, including covers of Tom T. Hall’s “That’s How I Got To Memphis,” Neil Young’s “Burned,” and Leiber and Stoller’s “Smokey Joe’s Café.”

The V-Roys played their last show on New Year’s Eve 1999 at the historic Tennessee Theatre in downtown Knoxville. It was time for Mic Harrison, Scott Miller, Jeff Bills and Paxton Sellers to do a reunion at the end of this year. After selling out the Bijou Theatre, the concert was moved to the glorious Tennessee Theatre, coming full circle. The title, is again somewhat terse, “One Show; Goodbye” The V-Roys New Year’s Eve blowout will find the band doing crowd pleasers and generally ripping it up. That will be a not-to-miss occasion if you are anywhere near the Knoxville area.

We jumped at the chance to film Scott Miller, and Mic Harrison at Marathon Recorders in Nashville during Americana Fest. We bring you the Music Fog version of “Goodnight Loser.”

-Jessie Scott

Goodnight Loser - Sooner or Later